273: Painting an Acrylic, parts 3 and 4
6″ x 6″ closeup HERE are parts 3 and 4 in which I finish the 36′ x 36′ acrylic, Waiting for Spring. This painting session (comprising bo...
Author: Brad Teare
274: The Path to Painting Success
If it bleeds, it leads. — Newspaper adage I HAVE bad news–everything you’ve learned about how to become a successful painter is wrong. Here’s t...
275: Winner Take All
ART culture has problems. One of them is the rise of celebrity culture eclipsing 99% of art being created. For some reason the modern art world only respec...
276: Fostering Creativity
Persistence of Vision, by Debra Teare, oil on canvas Study hard what interests you the most in the most undisciplined, irreverent and origin...
277: Understanding Woodcuts
Long Valley Morning, 12 block woodcut COLLECTORS need to understand why you create your art. Additionally if no one understands how you create your art it is un...
278: Painting Workshop
(NOTE: The class sold out on April 27 but the University is scheduling another session. If you add your name to the wait...
279: Woodcut show
Eight block color woodcut I AM enthused for my woodcut show opening 15 April 2016 at Alpine Art from7-9. It is a thirty year retrospective of my woodcut ca...
280: The Longevity of Acrylics: An Interview with Mark Golden
The Gravity of Light, 48″ x 36″, acrylic FROM time to time controversy emerges about the archival reliability of acrylics. I’m a longtime user of Go...
281: Cloudscape Using Lilly Paint
Cloudscape, 12″ x 12″, Oil on Canvas – I WAS invited to an online group about thick paint from a fellow painter from Austria. Later I discovered he ...
282: Sell Your Art
Abstract as it appears at Alpine Art in Salt Lake City –I WAS talking with a fellow artist who was getting ready for a watercolor exhibit. As we all do bef...
283: My books on Wattpad and Amazon
–MY Wattpad book, The Art of Thick Paint, is being featured this month as an example of a book with embedded images and video. I will be migrating the book...
284: Interview with Paint Maker Walter Haas
Dry pigments from Lilly’s paint lab I MET Walter Haas online in a group about painting with thick paint. During our conversation I learned Walter was a pa...
285: Promote Your Work
Cover to new abstract collection –IN my continuing quest to secure quality promotional material I assembled a new collection of abstracts using Blurb, the ...
286: Upcoming Abstract Show
On view starting June 28, Dream of Blue, 36″ x36″, acrylic –IF you are in Northern Utah from June 28 to August 3, 2016 be sure to drop by ...
287: Elements of Abstraction
Subterranean Heat, 48″ x 36″ –IN this short video I discuss how and why I paint abstracts. Concurrently I also experiment with a new filming setup I...
288: Workshop Preparation
–FOR those attending my workshop at Weber State University this Friday, June 24, 2016 I thought it would be beneficial to review some basic princ...