I’ve read other books on introversion, some highly touted, but this is the best and clearly defines the parallels between the creative and the introverted personality. Of special note was the chapter on Time Poverty (I love the term) which outlines why artists tend to be indifferent to schedules and the obsessive hyper-activity of American culture.
Modern society says that time is money–an expression that celebrates money, making money more important than time. The introvert mode of thinking first is not valued, because time engaged in thinking is not a tangible product. Current American culture is so addicted to frenetic motion that the productivity of introverts–crafting a thoughtful way forward–is completely disavowed. In Introvert Power the author writes that “for an introvert, ample time provides a cushion around activity—the mental space we need to reflect, to make meaning, to find inspiration. [If] there were lots of ‘time between time,’ introverts would thrive.”
The author continues: “…excessive doing leaves the mind vacant, clueless, and increasingly dependent on, well, ‘doing.’ We sit down to think, we become anxious, we pop up again and get busy to restore the feeling that we’re going somewhere. We have no idea where, but at least we’re going there.”
The book explains how the futility of misspent activity drains the productivity of introverts. For extroverts activity might spur thinking and solutions might occasionally spring from the work. But for the rest of us that is rarely the case. Yet we live in a world almost entirely designed for the proper functioning of extroverts.
The author suggests that the creative process from the introvert perspective is more akin to desire with birth as metaphor, rather than death-like terms such as deadline, and killing time. The author says, “The paradox is, when we use the desire model instead of the death model, everything is easier. Desire, when properly nourished, works like pregnancy and birth: once it gets going, there’s no stopping it. But birthing requires the capacity to hold, to tolerate the growing pressure of what’s inside and to patiently wait until it’s ready. This holding capacity is the hallmark of introversion.”
I recently read the biography of Lucien Freud (Lucien Freud: Eyes Wide Open) and was surprised he painted only two to four paintings a year (although some of them were quite large). Freud toiled insistently, resisted the pressure from galleries to crank out best sellers, thereby slowly building a completely unique body of work. The biography clearly demonstrates that Freud was an extreme case of introversion.
Reading the two books in close succession proved the necessity to slow my creative pace until it matches inner rhythms–without reference to outward demands of galleries or painting events.
I know that is where the best work will emerge.
Brad Teare –November 2015